|
Written by administrator
|
|
Thursday, 29 December 2011 10:53 |
|
BLOOMFIELD – Classical guitarist Neal Fitzpatrick will perform in concert at 1 p.m. Jan. 21 at the Archdiocesan Center at St. Thomas Seminary, located at 467 Bloomfield Ave.
The concert is being sponsored by the Archbishop O’Brien Library there.
He will perform some of his own compositions as well as works by South American composers Agustin Barrios, Leo Brouwer, Heitor Villa-Lobos and Manuel Ponce, as well as by Francisco Tarrega of Mexico. Most of this music was composed in the 20th century with the exception of Tarrega’s, whose works span the late 19th century and early 20th century.
|
|
Read more...
|
|
|
Written by Bernard Carragher
|
|
Tuesday, 20 December 2011 15:08 |
(Photo by Andrew Cooper, SMPSP, for Dream Works II)
NEW YORK – Michael Morpurgo’s 1987 young adult novel "War Horse," which became the inspiration for the hit Broadway play, has finally found its way onto the big screen in Steven Spielberg’s lavish and epic retelling of Mr. Morpurgo’s endearing story of a young Englishman and his beloved tawny hunter colt Joey, which is deployed into World War I combat. Unlike the play, which uses life-size equestrian puppets, the film employs a convoy of real horses; Joey is played by 14 different equines.
|
|
Read more...
|
|
Written by administrator
|
|
Monday, 12 December 2011 10:31 |
|
|
|
Read more...
|
|
Written by Jack Sheedy
|
|
Tuesday, 29 November 2011 10:36 |
|
|
|
Read more...
|
|
Written by Bernard Carragher
|
|
Tuesday, 29 November 2011 09:36 |
|
From left, Orlagh Cassidy (Kate), Rachel Pickup (Agnes), Aedin Moloney (Rose) and Annabel Hagg (Chris) in the 20th anniversary production of Brian Friel’s ‘Dancing at Lughnasa’at Irish Repertory Theatre (132 W. 22nd St.), directed by Charlotte Moore. (Photo by Carol Rosegg)
NEW YORK – Irish playwright Brian Friel turns 83 in a few weeks, and Charlotte Moore, the artistic director of the Irish Repertory Company, is giving him an early birthday present with an exhilarating revival of one of his masterworks, "Dancing at Lughnasa," which won the Tony for best play in 1991.
|
|
Read more...
|
|
Written by Bernard Carragher
|
|
Friday, 04 November 2011 11:13 |
|
Jessie Austrian as Imogen and Noah Brody as Posthumus share a tender moment in a scene from Fiasco Theater’s production of Shakespeare’s ‘Cymbeline’ at the Barrow Street Theater in Greenwich Village. (Photo by Gerry Goodstein)
NEW YORK – Few of the current big Broadway hits pack as much creativity and entertainment into an evening as the Fiasco Theater’s production of Shakespeare’s late dark romance "Cymbeline," which is at off-Broadway’s Barrow Street Theater in Greenwich Village through Dec. 31. For half the cost of an uptown ticket, audiences get to see Shakespeare’s seldom-performed opaque fairy tale acted by a protean cast of six talented young players, all doubling or tripling roles, who honed their acting prowess at Brown University/Trinity Repertory Consortium MFA acting program, then formed their own Fiasco Theater company in 2007.
|
|
Read more...
|
|
Written by Bernard Carragher
|
|
Monday, 03 October 2011 12:48 |
|
Ron Raines, as Benjamin Stone, and Bernadette Peters, as Sally Durant Plummer. (Photo by Joan Marcus)
NEW YORK – The legendary James Goldman-Stephen Sondheim musical "Follies," about a reunion of showgirls from the Ziegfeld Follies era, here called the Weisman Follies, is back, produced by the Kennedy Center at the Marquis Theatre, located at 46th Street and Broadway.
This revival of "Follies," which has been very well-received by the New York critics, has the same inherent pluses and minuses that it had when the show debuted in 1971 in a luxurious production put together by the Broadway royalty of the day: Harold Prince, the show’s producer-director; Michael Bennett, co-director and choreographer; Boris Aronson, scenic designer; and Florence Klotz, costumer. It also featured the perfect cast: Alexis Smith, Dorothy Collins, John McMartin and Gene Nelson.
|
|
Read more...
|
|
Written by Bernard Carragher
|
|
Monday, 29 August 2011 14:44 |
|
Patrick Page in the role of the Green Goblin. (Photo by Jacob Cohl)
NEW YORK – Has any musical in the history of Broadway had a more difficult aborning than "Spider-Man: Turn off the Dark"? None comes readily to mind even from a longtime rialto chronicler like me. As you are probably aware, "Spider-Man" is a musical version of the popular Marvel comic book hero, created in 1963, from which there was a series of hit movies beginning in 2002 directed by Sam Raimi.
|
|
Read more...
|
|
|
|
|
<< Start < Prev 1 2 3 4 5 Next > End >>
|
|
Page 1 of 5 |