Catholic Transcript Magazine of the Roman Catholic Archdiocese of Hartford Connecticut

Thursday, February 22, 2018
M.DoloresHartBETHLEHEM – On Hollywood’s red carpet Feb. 26, the night of the 84th Academy Awards presentations, actress Michelle Williams was wearing Louis Vuitton. Cameron Diaz was wearing Victoria Beckham. Black-habited Mother Dolores Hart, prioress of the Abbey of Regina Laudis, told reporters she was wearing Benedictine seventh-century Saint Telchilde.

"They didn’t know what I was talking about," Mother Dolores told the Transcript during an interview at the rural Connecticut abbey 12 days and 3,000 miles later. "I think maybe that’s why they didn’t take many pictures of me on the carpet, because they didn’t know what to do with me," she added with a laugh.

If you watched the event on television, you might have caught a glimpse of Mother Dolores standing incongruously on the red carpet wearing the habit of Saint Telchilde, or Theodichildis, first abbess of the Benedictine Jouarre Abbey in Seine-et-Marne, France. Mother Dolores was in Hollywood because a short HBO documentary titled "God Is the Bigger Elvis," which features her and other cloistered nuns at Bethlehem’s abbey, was up for an award. While it didn’t win, the nun’s presence at the Oscars brought back memories for her fans.

Yes, this mother prioress has a fan base. Known for sharing Elvis Presley’s first on-screen kiss, in the 1957 movie "Loving You," Dolores Hart was a promising young stage and screen star and also appeared in films with Montgomery Clift, Anthony Quinn, Marlon Brando and others. She appeared with Elvis again in the 1958 movie "King Creole." But, in 1963, she shocked her family, friends and fiancé by kissing Hollywood goodbye and entering the community of Benedictine nuns.

"God Is the Bigger Elvis" began as an idea of the late Archbishop Pietro Sambi, former apostolic nuncio to the Holy See, who invited Mother Dolores to his residence in Washington, D.C., two years ago.

"When I went in to see him, he said, ‘Madre, I want you to do a film on consecrated life.’ And I said, ‘But, Your Excellency, I’m an enclosed Benedictine nun. I can’t do that sort of thing. I have no access any longer to this sort of thing and I don’t know anyone in California.’"

He insisted that the Holy Spirit would guide her. She returned to the abbey and told her superior, Mother Abbess David Serna. They decided to pray about it.

"It was three days after that that HBO called us," Mother Dolores said. "They had had no commission from [Archbishop Sambi]. They didn’t know him. They hadn’t called him. So I know it’s no set-up. The choreographer was ..." Mother Dolores’s sky-blue eyes looked heavenward.

The 36-minute documentary is a revealing peek behind the walls of the abbey, the only one of its kind in the United States, founded in 1947 by Mother Benedict Duss, who led it until her death in 2005.

We see Mother Dolores caring for birds in her aviary, entertaining them with recorded music. We meet Mother David, who already had taken her vows when Miss Hart became a novice in 1963. Then-Sister David thought the newcomer was "a lightweight" and was not always kind to her. "Who would have thought the actress was going to stay? I mean, really!"

Besides her career, the actress also gave up her engagement to architect Don Robinson, who took it hard and never lost contact with her. Mother Dolores says breaking the engagement was difficult for her, too. "It was just impossible to explain," she says in the film. "How do you explain God? How do you explain love?"

Life in the abbey means singing seven times a day, silence three times a day, frequent periods of prayer, strict obedience to superiors, caring for livestock, cultivating a garden and sharing a bathroom with up to 10 other nuns.

A scene near the end shows a visit by Mr. Robinson and his emotional leave-taking. "God bless you," Mother Dolores says. "You, too," he says and walks out the door, leaving it open as he goes. Mother Dolores gazes after him in silence, then turns away, crosses herself and gazes at a crucifix on the wall. It could be a scene from "The Bells of St. Mary’s" or "Heaven Knows, Mr. Allison."

"That scene was amazing to me," Mother Dolores told the Transcript, "because that day when Don left and I saw him go, something hit me and said, ‘I wonder if I’m going to see him again. I think I might not.’ And I felt this thing hit me, and it’s ‘Oh no, don’t get emotional about this because you’re on camera. They’re going to think you feel some big emotional thing.’ And I tried not to get involved in it but it was just this terrible sense of loss of a friend."

The scene occurred near last Easter. In late autumn of that year, Mother Dolores had a fall that resulted in a mild concussion. She decided not to tell Mr. Robinson, because it would upset him. Days later, as Advent began, she learned that Mr. Robinson had fallen. He had hit his head in the same place. He died on Nov. 29.

When "God Is the Bigger Elvis" was nominated for an Oscar, director Rebecca Cammisa and producer Julie Anderson invited Mother Dolores to accompany them to the awards ceremonies.

"I was not prepared by any means for what I saw, because all of a sudden when you look out into this madness of humanity and the roaring of crowd, the thousands of kids and people applauding and all of the cameras – I was in ancient Rome! It was like being in the Colosseum."

Mother Dolores is still a member of the Academy of Motion Picture Arts and Sciences and votes on the nominated films each year, based on DVD’s she screens at the abbey.

Mother Dolores’s acting background has also been helpful in the formation of The Gary-The Olivia Performing Arts Center, an open-air theater on the abbey’s grounds that mounts major musical plays to help support the abbey. The late actress Patricia Neal helped start the theater in 1982.

Mother Dolores hoped that when her HBO documentary debuted April 5, it would generate interest in the abbey’s New Horizons project to renovate the abbey and make it more comfortable for aging nuns and safer for all 36 of them. Phase one of the project will focus on building a fire egress stairway, installing an elevator and converting bathrooms to handicapped accessibility, among other improvements. Phase two will involve constructing a cloister walk to connect the St. Anthony’s building with the main monastery, as well as enlarging the original chapel and the refectory.

On-demand viewing of "God Is the Bigger Elvis" on computers, smart phones and other devices is available to HBO subscribers. For information, go to
www.HBOGO.com. Information about the Abbey of Regina Laudis is at www.abbeyofreginalaudis.com.