Oh Angolan musician Mario Rui Silva Will perform two concerts at September in the UKOh, ride the latest version A collection of the author’s English songs, Announced the London Publisher Time Capsule this Thursday.
“Angolan guitarist, singer and composer Mario Rui Silva will finally get the recognition he deserves,” Time Capsule editor Kay Suzuki said in a statement, scheduled for September 11 and 12 in the market and in London, respectively.
On these two dates, Mario Rui Silva will be accompanied by musicians Mario Carnacho (keyboards), Nelson Oliveira (bass), Dello Morgado (rhythm) and Elias Cacomanolis (drums).
In June, Time Capsule released a collection entitled “Stories from 1982-1988”, focusing on three albums recorded by Mario Rui Silva in Angola in the 1980s: “Chungali” (1982), “Tunabenta Africa” (1985) and “Koizas Dum” Spy “(1988).
I think Mario is a kind of hidden legend, no one knows it, but when you look at his work, you see how beautifully and brilliantly it is made, ”Kay told Suzuki Lusa shortly before the release.
The edition seeks to document the musician’s journey into the heart of traditional Angolan music, as well as jazz languages, classical instruments or rhythms from various parts of West Africa.
At the center of the guitar, as has always been the case in the life of Mario Rui Silva, the songs reflect the artist’s fine work as a scholar of his country’s culture, for example Semba is a musical language or language, for example a revision of his essay on the comparative grammar between Kimbundu and Portuguese.
Born in Luanda in 1953, Mario Rui Silva is a disciple of Lisue Vieira Diaz, considered one of the “fathers” of Angola’s popular music, and co – founder of the opposition band N’Gola Ritmos. Portuguese colonialism.
The author of the Time Capsule notes that Mario Rui Silva “gained a technical, political and spiritual understanding of Angola’s music culture”.
“He’s a very humble musician, but technically what he does with the guitar is interesting, and then the messages he tells in the songs draw towards the blues tradition,” Kay Suzuki stressed.
These songs transcended many influences from West Africa, even counting the integration of a chorus built by Mario Rui Silva, he stressed.
The collection came after Sam Jacob, one of the curators of the disc, discovered the album “Coyotes Dum Out Temp” in a store in London. Sam Jacob and Kay Suzuki searched for other works by Mario Rui Silva and decided to pursue the version by contacting the artist.
The publisher’s opinion is that there is a good story behind each song and you can capture that time like a capsule. The album is very experimental, it seems to have almost no boundaries, he made a journey of his own, but it focuses on the study of Semba, its roots, ”he clarified.
“Although he did not make a big impact in Angola or Portugal, he is an impressive artist,” the author stressed, adding that his story “deserves to be told.”
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